Archive for splatterpictures

Son of Frankenstein

Posted in Updates with tags , , , , , on October 1, 2012 by splatterpictures

I’ve decided that my first post for October will be dedicated to the Universal horror film Son of Frankenstein. Life tends to influence a lot of my writing choices and recently I was talking to a friend about sequels, which, of course makes me think of all the other times I’ve talked about sequels with people. For a lot of studios green-lighting a sequel can very well be a license to print money. It’s even more prevalent in horror because they are relatively inexpensive to make. They make a profit even if they are moderately successful. If done correctly it can re-launch careers and put studios back on top. This isn’t something that studios realized in the last ten years either.

We’ll go all the way back to 1939 – actually we’ll go back a couple of years before then to a world where Universal (due to a change in management that caused them to drop their signature horror franchises) was desperately looking for a hit. Also not without some sense of irony the stars that made a lot of those horror films so memorable; Bela Lugosi and Boris Karloff were also experience slumps. Karloff was doing a lot better during the change in management because he was able to land other roles whereas Lugosi was far more typecast due to his accent.

A struggling theatre happened to do a Dracula/Frankenstein double-bill night and it was so successful that a green-light was given to restart the Frankenstein franchise. This time it would put Lugosi and Karloff together. Although this was not the first time the actors had been pared together (or even the best time) it was the first time they would both appear in one of the actors respective franchises that made their careers in the first place. Okay now we’re back in 1939.

 

Aside from Lugosi and Karloff the film stars Basil Rathbone as the young Baron Wolf Von Frankenstein. He’s  returned to the castle of his infamous father’s legacy along with his wife Elsa (Josephine Hutchinson) and his young son Peter (Donnie Dunagan). The villagers are not too pleased by this because they’re afraid that Frankenstein will follow in his father’s footsteps and create another monster.

While at the castle Frankenstein meets Ygor (Lugosi), Ygor has been condemned by the townspeople for body snatching and was convicted and hung for his crimes. Being hung broke his neck but he managed to come back to life although now he’s horribly disfigured.  The fact that his death sentence was technically carried out he is left alone in pseudo-exile.

He meets Frankenstein and shows him his father’s monster is still alive but sick and unable to move. Frankenstein – wanting to restore his father’s good name and fix the creature agrees to help Ygor and restore the monster back to good health.

Soon after the job is done it becomes obvious that the monster only listens to Ygor who wants the creature to enact his revenge against the people that condemned him to hanging. When bodies start piling up the towns Inspector Krogh (Lionel Atwill) starts to press Frankenstein about his involvement which is to say nothing about the hundreds of townspeople willing riot on the castle.

When it comes to Lugosi’s performances in his various films –everyone- has an opinion on which is his best. My opinion is that as the villainous Ygor he is truly in his element as an over-the-top character actor. Everything plays perfectly as Ygor manipulates everyone for his own gain. It’s an inspired performance that steals every scene he’s in.

Karloff himself sadly is regulated to the monsters grunts and groans throughout most of the film. Although, he is given one good scene it’s really a shame that the monster took a step backwards from the previous Bride of Frankenstein. The monster in this film is back to being unable to speak.  It also doesn’t allow Karloff and Lugosi to have any really interesting scenes with eachother.

I feel like Son of Frankenstein is a satisfying enough end of a trilogy It touches on what happened to Frankenstein’s family and the townspeople after all those years. It kills of the monster in the most definitive way and ends with everyone happy. Of course Universal couldn’t leave it alone.

This marked the Last time Karloff would ever play Frankenstein’s monster for Universal. It’s interesting that this movie came out in 1939 because in more ways than one it was the end of an era.  Even though the franchise continued on with other actors in the roll I never liked them as much and they really seemed like almost the start of a whole other franchise from the 40’s on.

“Your furry Vest is so soft”

 

 

 

 

 

 

 

 

 

 

Top 13 Horror Movie Themes (soundtracks!?)

Posted in Updates with tags , , , on July 13, 2012 by splatterpictures

It’s been awhile since I’ve done a top ten and I felt like today was the perfect day to drop one on my unsuspecting readers. This time I’m doing themes. Music is absolutely imperative for creating mood in films and some themes stick with you and have become as iconic as the movies or characters they represent. Music can enhance the emotion of any given scene or just be fun as hell to listen to. There is no way to just do this in 10 so in the spirit of the Day I give you my top 13 Horror Movie Themes!

13 –  Night of the Demons

One of my favourite Halloween horrors I not only love the theme song for how 80’s it is I just love the intro in its entirety. Just good old fashioned Halloween fun!

12 – Hellraiser

True story: one time I had the menu screen on for the Hellraiser DVD for 3 hours while I was writing something. I found the music very easy to relax to. It perfectly captures the brutal yet dignified sense of the Cenobites.

11 – Puppetmaster

Charles Band and company have made a pretty impressive industry based around their puppetmaster franchise but to me the best aspect will always be how perfectly the theme captures the creepy yet whimsical idea that puppets can kill.

10 – The Blob

Okay, this one just makes me laugh a lot. The 50’s were the heyday for drive-in-cheese and the blob is arguably the best example of it. Complete with its own toe tapping novelty song!

9 – 28 Days Later

The film isn’t perfect but it’s unmistakably brutal. The action and gritty violence were often off-centered by this haunting melody which was a beautiful touch.

8 – Candyman

Philip Glass composed this piece to match with the character of Candyman being an educated and more tragic figure. The gentle music sets the tone perfectly for one creepy bee infested love story.

7 – Zombie 2

I honestly would put this higher on the list if it was a little more iconic but as it stands the theme music for Zombie 2 is probably one of my favorite bits of soundtrack ever. I just love the weird synth tracks. This will always be the official zombie marching song to me.

6 – The Exorcist

The first time I ever saw this movie it was the films re-release in theatres. I remember just being shocked by the very virtue of the era in which this movie came out in the first place. It set the standard for creepy little girls for years to come.

5 – Saw

An undeniably powerful theme, this makes the list by not only being catchy but also mood enhancing. Although the franchise really ended on a whimper it’s hard to deny that in the first Saw movie; this song accompanied one of the best horror movie twists of the modern era.

4 – Jaws

Jaws has one of the most instantly recognizable themes to even the most casual movie goer. When it comes to knowing that something is stalking you to bite you in the ass nobody even comes close to this score.

3 – Nightmare On Elm Street

The purposefully confusing tones that strike out in this melody were supposedly supposed to emphasis that dreamlike and reality bending nature of Freddy himself. As much as I enjoyed the later incarnations of Elm Street and can enjoy the slapstick violence for what it was, the original theme always reminds me that the first Nightmare on Elm Street was there to scare us.

2 – Halloween

Halloween is full of fantastic music. Their use of mister sandman  will never make me able to think of that song without thinking of Halloween. Even the misfit of the franchise Season of the Witch has a fantastic Score. For this entry I’ll go with the theme everyone is most familiar with.

1 – Friday the 13th

Okay so you probably figured out by now that I’m posting this on the 13th and there are 13 entries that the number one theme would probably be Friday the 13th. Well. You’re right smarty pants. When it comes to horror fans there is nothing more instantly recognizable than the “Ki ki ki ki Ah ah ah”.  The story goes that the song came about from the words “Kill and Mom” (You don’t fuck with misses Voorhees). Not only is it well known to horror fans but – like the jaws theme; even casual viewers know of it. My favourite use of his theme was the super funky and fun version from Part 3. So enjoy!

Crawler (50 Tonnes of TERROR)

Posted in Updates with tags , , , , , , , on June 8, 2012 by splatterpictures

One of the best things about Indie horror is the free range a lot of the filmmakers have to create movies around concepts that would make mainstream movie-goers scratch their heads. I don’t mean mainstream as a derogatory term at all but more to draw a distinction between the kind of person who hears “Bulldozer that kills people” and doesn’t roll their eyes. Well okay maybe most people still do. Crazy or not that is the plot of Crawler.

Crawler was released in 2009 and directed and written by Sv Bell. Robbie Ribspreader ( I guess that’s his real name?) also contributed with writing It was produces by Blackflag Pictures. The film stars Deke Richard, Heidi Hawkins and Keir Cutler.

Now when I say it’s about a bulldozer that kills people I’m not being entirely accurate because the thing in question isn’t actually a bulldozer at all but a “glamour djin” which is apparently an evil entity that has the ability to “look like something else” apparently for the last few decades it’s taken the form of a piece of construction equipment.

The film starts off with a guy coming in to rent a bulldozer for a construction job that needs to be done but sadly he was a day late so the dozer he was going to get had already been rented out. This is the kind of situation that dooms the lives of characters in horror movies. Sure enough after enough begging the construction worker convinces a clerk to rent him out this mysterious bulldozer that had a tarp on it that says not to rent it ever. People never read tarps.

Enter our hero Jimmy (Richards) who is the sites foreman, he has a troubled past and looking to do right. It looks like his past is catching up to him though because somebody deeply affected by that past mistake Karl (Cutler) is also on site. The two seem to share an uneasy truce until people start going missing. Eventually all hell breaks when the bulldozer starts picking off victims through various means and Karl seems to be completely under the bloodthirsty equipments power.

So whether this bulldozer is a demon or an alien or some thing from another dimension is never really specified but its pretty evil. The film itself shares a lot of elements of Stephen Kings Christine, you know the story about the car that kills people. This movie has that in common but the dozer itself has all kinds of creepy living components, like mouth tentacles that reminded me of Tremors, and probably the grossest ability which is to infect others with some sort of painful virus.

Cutler is really good in his role and was easily my favourite character in the film. He becomes obsessed with the bulldozer and worships it like some sort of dark god. The addition of his character goes a long way to putting some kind of face on the enemy who could at least communicate with other characters.

The special effects on this movie are well done. I really enjoyed all of the practical effects that were used, from the tendrils to the bulldozer itself. Plus the slow infection of one of the construction workers were fantastically disgusting once you got to the final shot of him bloated and spewing out black sludge.

I’d say the problems with the movie come from the plot itself. I know the premise is weird enough on its own but I thought a little more explaination on a few things would have helped. For example, they never really explain why the dozer was “sleeping”. It was just sitting there in the rental lot with a tarp over it. As soon as the tarp comes off it starts killing people and goes to the jobsite itself? How did the bulldozer know where to go? Another thing was that the entity or whatever it was seemed to random powers. Like it could infect people, take over their minds, project images into their heads, reanimate the dead and shoot lighting. Of course it also had all the benefits of being a giant bulldozer with mouth tendrils.Although, now that I think about it I really shouldn’t waste too much time trying to pick apart the plot holes in a movie about a killer bulldozer

It was interesting how serious the movie took itself. I don’t mind that really because honestly this wave of self aware horror really is getting old. It’s almost as if you can’t make a cheesy movie without making sure you’re winking to the audience every five minutes.

As I said before the best thing Independent horror has to offer audiences are more “out there” concepts. I don’t think a day goes by that I don’t get into a conversation with people about how much they dislike all the remakes, prequels and sequels that Hollywood churns out. Some people go so far as to say that creativity doesn’t exist in cinema. My flat response to that is that maybe you’re just watching the wrong movies. Sv Bell and Blackflag Pictures have made something that blends a lot of horror elements together and did it well and is a worthy addition to the growing genre of “things that randomly kill people”. Crawler is a hell of an entertaining ride that you should check out.

A Little Bit Zombie (Who brings hooker boots to a weekend at the cottage?)

Posted in Horror Showcase, Updates with tags , , , , , , , on May 24, 2012 by splatterpictures

Horror and comedy is a tricky formula to get right, many times there can be too much of one and not enough of the other. Recently I was able to check out the Ottawa premier of A Little Bit Zombie, a slickly written and well produced little-big Indie-horror, home grown (well my home) in Canada.

The film was directed by Thunder Bay, ON native Casey Walker, and brought to us by Cave Panting Pictures and the producers list is as long as my arm because the film was crowd funded which explained to me how it looks so good and managed to snag fantastic actors.

The story is about a soon-to-be-married couple named Steve (Kristopher Turner) and Tina (Crystal Lowe) Tina is the typical perky but overbearing control freak that is dreaming of the perfect wedding while Steve is the mild mannered HR representative that is just looking forward to a quiet and stable life. They head on up to a weekend vacation at the cottage with Steve’s sister (Kristen Hager) and her husband Craig (played by a very buff looking Shawn Roberts). Unknown to the foursome is that a short distance away two professional Zombie hunters, Max and Penelope (Stephen McHattie and Emilie Ullerup respectively), are taking down a small outbreak while one of the undead are bitten by a mosquito. The insect becomes infected and makes its way to the cottage that everyone is vacationing at.

Steve gets bitten by said insect and slowly starts to become infected. He retains his memories and personality, but starts to grow pale and lose the feeling in his body. Of course there is the unfortunate fact that he is unable to eat anything without projectile vomiting. With the hunters hot on his trail and his wedding just a week away, Steve and his family try to cope with the reality that in order to stay sane he’ll have to consume the brains of living humans.

The writing in this film is fantastic. Dialogue comes at you fast with several jokes firing off at once with a lot of added physical comedy. All of the actors play their parts well and it was a special treat to watch Stephen McHattie play out the grizzled zombie killer. Crystal Lowe also steals every scene she’s in as the bride to be trying to do right by her man. There is a scene where she tasers a potential victim and cheerfully remarks on how cute her pink stun gun which had me laughing pretty hard, but the best line comes out of Shawn Roberts: “Who brings hooker boots to a weekend at the cottage?”

I would say that on the horror versus comedy scale it’s leaning far more into the comedy area than anything else. The horror elements are there and, as a director, Casey Walker’s influences can be seen quite obviously (especially Evil Dead), but for the most part I would say the horror is pretty tame with nothing more or less grotesque than some of the mainstream comedies out these days. There are some great special effects though, and all in all, it was decent but I could have done with a bigger body count or a few more scenes with zombies.

A few story elements I found somewhat confusing. One of the hunters, for example, uses a seemingly magical orb to locate the undead but as far as I remember they don’t really go into any detail about where they got it or how it works. Emilie Ullerup’s character Penelope also seems to believe that Steve is somebody who could eventually find a cure for the zombie plague since he can resist the effects somewhat, yet they never really explain how he is able to. Also I couldn’t help notice that the plot had similar elements to that 90’s comedy My Boyfriends Back which was essentially about a fun-loving but zombie afflicted teenager who still retained his mental capacity. Now that I think about it, I might be the only one who remembers that dumb movie.

Walker said before his film started that this was his love letter to the Zombie genre and it’s apparent that he is a lover of the genre, but I would have to say this works far more as a comedy than it does a horror. This isn’t necessarily a bad thing, but it does go to show how precarious a balancing act horror-comedies are. Without the solid group of actors carrying this film it would have probably ended up being fairly forgettable with too much comedy and not enough gore.  I say check it out when it hits DVD shelves this August

“So, what is that exactly?” “Zombie tracker-orb-thing-plot device. Don’t question it!”