Archive for genre films

Dead Air Ep 44 – Sleepaway Camp

Posted in Dead Air Podcast, Updates with tags , , , , , , , on February 12, 2016 by splatterpictures

In episode 44 of DEAD AIR Wes and Lydia tackle one of the most notorious camp slashers in horror movie history. When people talk about twist endings there are few films that will blow your hair back like 1983’s Sleepaway Camp. Angela and Ricky head off to summer camp. It should be a fun few weeks of swimming, boating and if you’re lucky a little summer lovin’. Sadly, this place has an abundance of jerks who want nothing better than to torment poor Angela who just might be too shy for her own good. When campers start succumbing to a strange series of accidents it’s clear that something just isn’t quite right at Camp Arawak. Also in this episode; Wes gets derailed as he talks about learning to watch horror in a group and Lydia reveals a shocking truth from her past that will leave you as speechless as the film itself!

 

Dead Air Ep 39 – Saint (Sint)

Posted in Dead Air Podcast, Updates with tags , , , , , , , , , , on December 24, 2015 by splatterpictures

 

Welcome one and all to a very special Christmassacre episode of the Dead Air Podcast! Frankly, the weather outside isn’t frightful enough so we’ll have to provide the frights right here! Wes and Lydia discuss the 2010 Dutch horror film Saint. Also, Christmas horror traditions like goth cookies and skull trees! So grab your coco and curl up by the fire as we celebrate a most nontraditional traditional Christmas!

Fathers Day (You don’t call a man a tree)

Posted in Horror Showcase, Updates with tags , , , , , , on June 16, 2012 by splatterpictures

My dad and I had this long standing joke when I was growing up. Anytime a movie would come on TV that would say: “Warning the following contains violence, course language and nudity viewer discretion is advised” We would look at each other and say; “Oh good it’s got everything a good movie should have” Well if your dad is anything like mine feel free to crank that shit to eleven with Tromas Fathers Day.

Being a Troma film I feel is its own explanation and if I was lazier I would have a one sentence review that describes it as such but for the uninitiated Troma is arguably the premier company making shock exploitation films. They not only make low budget B movies they embrace it to some sort of twisted art form. Of course Tromas biggest strength is the tongue and cheek self awareness of their own ridiculousness.

Fathers Day starts off with a bang as we watch a man get brutally hacked to pieces and then sexually assaulted, which I couldn’t help but notice a lot of parallels to recent news events. We’re treated to a short chase, when a stranger barges in on the killer that ends with a gunshot and the eye patched Ahab (Adam Brooks) declaring happy Fathers Day. It’s grindhouse cheese at its best.

The rest of the film is a frantic and off-beat story about a notorious fathers day killer named Chris Fuchman (I’m sure that was on purpose) who has a habit of raping and killing fathers. Why is it exclusively fathers? Who knows but that’s not important. After a long hiatus he’s back and they need Ahab to take him down. So a blind preacher sends his disciple  Father John Sullivan (Matthew Kennedy) to Ahab who has become a recluse at the end of the world, or what I would assume to be the mountains of Canada where he makes maple syrup. I mention the syrup because it seems to come up several times in the film.

A troubled teenaged male prostitute named Twink witnesses Fuchman kill his father and now is on the run seeking out help with Chelsea (Amy Groaning) Who just so happens to be Ahabs estranged sister. She’s a stripper (obviously) who has been following the Fuchman case for years and of course wants nothing to do with her brother. The group comes together to take down the psycho killer once and for all. If only it were as easy as just killing him though.

Fathers day is like watching a hyperactive child hopped up on pixie sticks tell you about their day. It’s fast and chaotic at times. Characters spew out their dialogue and then random stuff happens. It took me the first 20 minutes or so to get used to the pace but once I allowed myself to bow to the absurd I started liking it more and more.

The gritty close ups and grainy quality of the film go a long way in to giving it that old Grindhouse feel which is absolutely what they were going for. Also the inclusion of the bumpers before and after the credits along with the commercial break that advertise a terrible looking sci-fi Star Raiders really made me feel like I was sitting at home watching this on a random station at 2 AM wondering why I was still up.

I’d say the standout in this movie once you get past the gore is the comedy. The laughs are unpredictable and are somewhat muted at times. What I mean is you’re dealing with a narrative where all of the characters are taking themselves as seriously as possible and then bust out into some hilarious dialogue or sight gag. It’s a slow burn but by the end of the movie I found myself laughing more than I was cringing at some of the violence and holy hell there is violence. I could have gone my whole life without watching somebody cut their penis lengthwise with a knife but, yeah.

The violence is extreme, but effective and really breaks up the comedy. Which works there is something enjoyable to me about watching something that I can’t decide is funny or offensive.

Fans of Troma films that haven’t seen this one yet are doing themselves a disservice. It’s a non-stop exploitation comedy that isn’t afraid to be as outrageous as possible. Truly, Fathers Day is Troma at its best. That being said anybody who generally dislikes B movies or is offended by: Graphic violence, graphic sex, necrophilia, incest, rape, mutilation, blasphemy, maple syrup and more incest would do well to avoid it. In other words; Viewer discretion is advised.

Vrmmm Vrmmm VRMMMMM

Crawler (50 Tonnes of TERROR)

Posted in Updates with tags , , , , , , , on June 8, 2012 by splatterpictures

One of the best things about Indie horror is the free range a lot of the filmmakers have to create movies around concepts that would make mainstream movie-goers scratch their heads. I don’t mean mainstream as a derogatory term at all but more to draw a distinction between the kind of person who hears “Bulldozer that kills people” and doesn’t roll their eyes. Well okay maybe most people still do. Crazy or not that is the plot of Crawler.

Crawler was released in 2009 and directed and written by Sv Bell. Robbie Ribspreader ( I guess that’s his real name?) also contributed with writing It was produces by Blackflag Pictures. The film stars Deke Richard, Heidi Hawkins and Keir Cutler.

Now when I say it’s about a bulldozer that kills people I’m not being entirely accurate because the thing in question isn’t actually a bulldozer at all but a “glamour djin” which is apparently an evil entity that has the ability to “look like something else” apparently for the last few decades it’s taken the form of a piece of construction equipment.

The film starts off with a guy coming in to rent a bulldozer for a construction job that needs to be done but sadly he was a day late so the dozer he was going to get had already been rented out. This is the kind of situation that dooms the lives of characters in horror movies. Sure enough after enough begging the construction worker convinces a clerk to rent him out this mysterious bulldozer that had a tarp on it that says not to rent it ever. People never read tarps.

Enter our hero Jimmy (Richards) who is the sites foreman, he has a troubled past and looking to do right. It looks like his past is catching up to him though because somebody deeply affected by that past mistake Karl (Cutler) is also on site. The two seem to share an uneasy truce until people start going missing. Eventually all hell breaks when the bulldozer starts picking off victims through various means and Karl seems to be completely under the bloodthirsty equipments power.

So whether this bulldozer is a demon or an alien or some thing from another dimension is never really specified but its pretty evil. The film itself shares a lot of elements of Stephen Kings Christine, you know the story about the car that kills people. This movie has that in common but the dozer itself has all kinds of creepy living components, like mouth tentacles that reminded me of Tremors, and probably the grossest ability which is to infect others with some sort of painful virus.

Cutler is really good in his role and was easily my favourite character in the film. He becomes obsessed with the bulldozer and worships it like some sort of dark god. The addition of his character goes a long way to putting some kind of face on the enemy who could at least communicate with other characters.

The special effects on this movie are well done. I really enjoyed all of the practical effects that were used, from the tendrils to the bulldozer itself. Plus the slow infection of one of the construction workers were fantastically disgusting once you got to the final shot of him bloated and spewing out black sludge.

I’d say the problems with the movie come from the plot itself. I know the premise is weird enough on its own but I thought a little more explaination on a few things would have helped. For example, they never really explain why the dozer was “sleeping”. It was just sitting there in the rental lot with a tarp over it. As soon as the tarp comes off it starts killing people and goes to the jobsite itself? How did the bulldozer know where to go? Another thing was that the entity or whatever it was seemed to random powers. Like it could infect people, take over their minds, project images into their heads, reanimate the dead and shoot lighting. Of course it also had all the benefits of being a giant bulldozer with mouth tendrils.Although, now that I think about it I really shouldn’t waste too much time trying to pick apart the plot holes in a movie about a killer bulldozer

It was interesting how serious the movie took itself. I don’t mind that really because honestly this wave of self aware horror really is getting old. It’s almost as if you can’t make a cheesy movie without making sure you’re winking to the audience every five minutes.

As I said before the best thing Independent horror has to offer audiences are more “out there” concepts. I don’t think a day goes by that I don’t get into a conversation with people about how much they dislike all the remakes, prequels and sequels that Hollywood churns out. Some people go so far as to say that creativity doesn’t exist in cinema. My flat response to that is that maybe you’re just watching the wrong movies. Sv Bell and Blackflag Pictures have made something that blends a lot of horror elements together and did it well and is a worthy addition to the growing genre of “things that randomly kill people”. Crawler is a hell of an entertaining ride that you should check out.