Archive for horror

Killer Klowns From Outer Space (Holy Sh**!)

Posted in Horror Showcase, Updates with tags , , , , , , , on April 3, 2012 by splatterpictures

The 1980’s has seen its fair share of ridiculous crap. I’ve spoke often about the horror boom of the 80’s and how it’s shaped how we look at horror nowadays. The interesting thing about Killer Klowns from Outer Space is not how 80’s it is but how 50’s.

Watching this movie I couldn’t help but notice how it felt as if I was watching a 50’s B movie in the drive in. Well not that I would even really know what that’s like since the drive-in went the way of the dodo before my time but I have seen a lot of films from that era and they all have the same “feel” to them.

Killer Klowns was written, directed, and produced by Chiodo brothers. Just three guys who loved science fiction and horror and wanted to make something that could be scary and silly at the same time. I think the final product was a lot sillier than anything else, but if you have a phobia of clowns or something this movie is probably your worst nightmare. The film stars Grant Cramer John Nelson and Suzanne Snyder. Snyder of course doing pretty well for horror in the 1980’s being in both Night of the Creeps and Return of the Living Dead II.

Well, I am not sure I’d even need to explain what this movie is about. It’s in the friggin’ title. There are space aliens that come to earth and kill people for food. They don’t just grab them and munch away; first they cocoon them in cotton candy which apparently makes them dissolve into a liquid that the alien clowns then drink. (with a silly straw)  The whole gimmick is of course that these aliens just so happen to look like clowns. Not only do they look like clowns but ever aspect of their technology is also circus themed. They have big top space-ships with pastel interior colour schemes. They have pop-corn guns, acidic pies, and giant wiffle-bats.

I remember wondering how much political debate would it have taken to get an entire society to stick to one theme like that. It probably took years of campaigns. I mean imagine if all of a sudden it became law for us to dress like clowns and then all of our technology would have to be changed to perpetuate the overall theme. I wonder if their home planet has outlaws that don’t dress like clowns…you know what? I’ve officially over analyzed this.

This is one of those movies that I’ve heard as many negative things about it as positive. I like to look at it from the perspective that it’s paying homage to a genre of films that in themselves weren’t exactly great. That being said a lot of its charm comes from the very fact that it doesn’t take itself seriously (honestly how could it?) Sure things are goofy but they’re supposed to be.

The special effects are pretty good all things considered. The clowns themselves look creepy as all hell. The entire time I was watching the movie I was wondering how anybody could be fooled into thinking they are actually people. Not only are they disproportioned they all have fucked up faces that would make me not want to go anywhere near them. A lot of the gags are based around killing unsuspecting people with clown-like shenanigans. My personal favourite was when they rolled up to a security guard in a clown car and then a bunch of them all get out one at a time, while the guard stands there completely confused about what he’s seeing they pelt the poor guy to death with pies. After the guy is a melted pile of ice-cream one of the little clowns puts a cherry on top. I was dying of laughter.

"Anyone who spells "Klown" with a "C" gets the pie!"

As I said before this is a tribute to 50’s movies and the one that it gets compared to a lot is the Blob. The only similarity really is the overall premise of teenagers running around while adults refuse to believe them. This is brought to outrageous proportions by the town’s police officer Curtis Mooney (played by the late John Vernon) he just crosses his arms and refuses to believe anyone even as the phones are ringing off the hook. He hates teenagers and is always just looking for excuses to arrest them. It’s pretty great.

Another similarity to The Blob I noticed was the inclusion of a theme song specifically for the movie.  (The Blob from 1958 had a catchy jingle aswell) Killer Klowns got the novelty song treatment courtesy of the punk group The Dickies (Later to be called Dill Pickles) The song “Killer Klowns” is fantastic and just sets the entire film up as the campy mess it ought to be. The rest of the music was scored by John Massari and every moment is just filled with slightly twisted and silly little circus jingles.

Early word has it that by next year the Chiodo brothers will be adding a long awaited sequel called The Return of The Killer Klowns From Outer Space. As much as I was amused by this film I’m not sure that a sequel should be made even with the best of intentions I like Killer Klowns as it is; a weird oddity that exists on its own.

Sadly, I don't think you can eat your way out of this one.

Oscars and Horror

Posted in Updates with tags , , , on February 19, 2012 by splatterpictures

Well its award season and everybody loves a little trivia so I’ve cobbled together a little list of Actors and Directors who not only became famous after horror but also won themselves an Oscar. So here we go in no particular order.

Jennifer Connelly (Phenomena 1985) Image

Getting a gig with Dario Argento isn’t exactly slumming it but who would have guessed the young lady would go all the way to the Academy Awards. Phenomena is a bizarre film that almost seems like an extended hallucination. The roll on Phenomena wasn’t her first but it was her first starring roll and big break. She would go on to win an Oscar for her supporting roll in A Beautiful Mind.

Renee Zellweger (The Return of the Texas Chainsaw Massacre AKA Texas Chainsaw Massacre: The next generation 1994) Image

Dear god I hated this movie. Is it bad it was the first Texas Chainsaw I ever saw?  Renee Zellwegger could have easily vanished after this forgettable blot on the TCM legacy but she pulled out a win for best supporting actress for 2003’s Cold Mountain.

George Clooney (Return to Horror High 1987) Image

Clooney has made a lot of movies and it stands to reason he’d grab an Oscar for at least one of em. Before his super fame he was in the fun little horror flick Return to horror High. It’s also said he had a small cameo in the notorious Grizzly 2: The predator but I cannot confirm that! Years later he’d get best supporting actor for 2005’s Syriana.

Jack Nicholson (The Little Shop of Horrors 1960)

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This is a pretty famous cameo that a lot of horror fans are aware of but it’s just great to see a young spry Nicholson hamming it up for the camera. He worked a lot with schlock master Roger Corman so he did a lot of genre films in the early days but Shop of Horrors is defiantly one of his best. He’s gotten a few Oscars but his first was for 1975’s One Flew Over the Cuckoo’s Nest.

Clint Eastwood. (Revenge of the Creature 1955) Image

Universal’s sequel to Creature from the Black Lagoon had its moments but none of the iconic charm of the first film. What the movie did have was a cameo but a young fresh faced fellow by the name of Clint Eastwood. He’s picked up a lot of awards over the years but he did nab best picture and best director for 1992’s Unforgiven.

Peter Jackson (Brain Dead/Dead Alive 1992) Image

For my last entry I’ll do a pretty famous one that I just couldn’t pass up. Also, I know I’d get a lot of comments about why I left it out. Largely considered one of the goriest-most ridiculous movies ever made; Brain Dead or Dead Alive as it’s also known will leave you speechless. Jackson of course started earning Oscars for the Lord of the Rings movies.

 

And there we have it. There’s a lot of other actors and directors who’s started very modestly in Hollywood and went on to get top honours for other works. It just goes to show you that horror is a great way to get your foot in the door. Now all we need is a real awards show for horror movies themselves. (No, the Scream awards don’t count).

The Woman In Black (2012) Review

Posted in Updates with tags , , , , , on February 2, 2012 by splatterpictures

Well I was lucky enough to get a look at the Latest from Hammer the Woman In Black. A little while ago I posted a review of the original made for TV movie so I was eager to share my thoughts on the newest incarnation while they were both fresh in my mind.

The woman in black was directed by James Watkins, and written by Jane Goldman. The entire work was based off the 1983 Novel of the same name by Susan Hill. The real gem which I mentioned before is that the studio behind this is Hammer Film.

 

 

The story is about a young lawyer named Arthur Kipps (Daniel Radcliffe) who’s sent out to a dreary village far removed from civilization. His firm handled the affairs of the EL Marsh House and its owner Jennet Humfrye is now deceased. In hopes to tie up any loose ends and prepare the house for reselling Kipps has to go through a seemingly unending collection of old papers that start to reveal the houses tragic past. Kipps wife died during childbirth and he has never fully recovered from the loss. His firm makes it clear that this assignment must be successful in order to keep his job.

When Kipps arrives in the small town he meets a friendly and wealthy landowner named Sam Daily (Ciaran Hinds) who seems to be the only one in town who welcomes him with open arms. Everyone else doesn’t want anything to do with him, including the local solicitor whom he was there to meet to aid him in his work. Everyone tells him to stay away from the house and try to make sure he leaves the very same day.

Slowly Kipps starts to realize that a malevolent force is surrounding the house and that ever single one of the townspeople is keeping a terrible secret that is keeping them all in fear. It’s a story of tragic loss and unending revenge.

"LOUD NOISES"

Radcliffe does a nice job in the roll of Kipps, and for me this was the first time seeing him do anything other than be Harry Potter. (I couldn’t help notice how much he looked like Johnny Depp though) although he honestly didn’t have much to do other than follow sounds and apparently have balls of steel. Why anyone would even consider staying alone in that house after the first day is beyond me.

The movie looks great with Lots of extremely detailed sets, the best of course being the house itself. It’s a hammer film so there is a tonne of fog to be had and cobwebs. I found myself wondering if they had a surplus of cobwebs during filming. The old woman had only been dead a short while but the house looks like it had been abandoned for decades.

One thing I remembered about the original movie was that there really was only one big scare in it. Well they sure made up for that in spades with this one. Every five minutes there was a quick cut to something random and the loudest slam of piano keys their soundtrack could muster. I hate cheap shots because it’s not really my thing to have a movie just be all “LOUD NOISES” and that’s my scare. Once and awhile is fine and effective but this film does it like it’s going out of style.  That being said, it’s only a small complaint because at the very least it kept my attention.

For me the best moments of the movie were more subtle, and a lot of that is owed to the cinematography of Tim Maurice-Jones. There are some fantastically creepy scenes where something as simple as light from a candle passing across the glass eyes of a toy can make it seem like they are watching you.

A lot of things were changed from the version I saw. It had a lot more characters and a more fleshed out story that gave it a distinctly darker tone. I found myself wondering which version is more faithful to the original novel. If anyone out there knows I’d love for you to leave a comment.

In the end the complaints I have about this movie are minor and the good far outweighs them.  I loved the story, the look of the film and the special effects. Everyone has done a fine job adapting this classic gothic ghost story and I hope to see other high quality stuff coming out of Hammer films. Go see it and enjoy!

"I'm going to AXE you one more time to leave before I get rough"

Underworld: Awakening

Posted in Horror Showcase, Updates with tags , , , , , on January 21, 2012 by splatterpictures

Well I’ve just come back from Underworld: Awakening and I really couldn’t resist the opportunity for me to be topical so I’ll give you some of my thoughts on the film since it’s still fresh in my mind.

When it comes to franchises in any capacity the fourth one can be an eye rolling affair. A lot of times in horror, the fourth edition into any entry can be totally overlooked by common moviegoers only to end up in a five dollar bin with people scratching their heads saying “oh wow they made a fourth one of this?”

Underworld has always been one of these mainstream action-horrors that I really enjoyed for various reasons. This one however leaves me conflicted.

The film starts off with a little recap of the precious movies to give the casual viewer a chance to get an idea of the franchise they are stepping in to. It helps but like the previous three movies Underworld: Awakening is tightly related to the previous ones and is a little less accessible to people who haven’t at least seen the first two.

It seems humans have found out about Vampire’s and Lycans and they aren’t too happy about it. The monsters that are usually the hunters are now pushed to the brink of extinction. Where does that leave the super-vampire hero Celina and her Were-pire lover Michael? Well no place good and in an attempt to go into hiding they are ambushed.

We then jump twelve years later into a world where vampires and Lycans are on the brink of extinction. An evil corporation called Antigen is working on the final cure to make sure they can never spread their infection again.  Selene (Kate Beckinsale) wakes up in a cryo-box and fights her way out all the while looking for Michael. She thinks she’s on his trail but it turns out to be a young girl named Eve (India Eisley) who is a lab grown clone of both her and her mate. (Essentially a little girl were-pire.)

Okay, so my problems with this movie basically start and end with the films run-time. 88 minutes. That is some editing tighter than Beckinsale’s pants and it’s officially the shortest of the series. Every problem the film has could have easily been fixed with another 20 minutes. There was a lot of movie in that short run-time and it didn’t help.

I'm not X-23. Did I mention that yet? No? Okay, well i'm not.

Another problem was the fact that they had four writers on the picture which compounded by the run-time made a lot of scenes that were intended to maybe set up plot later on go nowhere. A part that really sticks out is a part where one of the few remaining vampire elders named Thomas (Charles Dance) seems to be trying to, apologize to Eve for previously making her feel unwelcome, it was played as if he might try to use her but then it seems to be forgotten in the very next scene when he wants her gone again.

Characters didn’t have enough time to really develop either. This is bad for established characters like Selene because she isn’t given enough moments but it’s especially bad for all of the new characters this movie introduces.  For example Michael Ealy plays a Detective named Sebastian who randomly helps out Selene is given about two minutes to try and give his motivations, while they are on their way to the next scene.

Another complaint comes as a comic book fan. Eve’s origin story is Marvel comics X-23’s (Wolverine’s cloned daughter) origin story. Everything from growing up in a lab to having a project scientist be like a surrogate mother to cutting herself and watching her heal.

My last small comment is Bill Nighy was sorely missed. The way that guy hammed it up in the previous three movies was one of the biggest draws for me. And I mean that sincerely, it was awesome.

Now for what I liked. The action is amazing. I don’t think the 3D really added anything except to the ticket price although, I was a little startled by some glass flying at my face. All of the chorography was just fantastic. Selene has never been more of a badass. She is a cold blooded killer that has been pushed to the edge and has no problem taking out anybody in her quest to find Michael and protect her newfound daughter.

There are some awesome kills that are benefited from this being an R-rated movie. It’s funny how refreshing it can be to see a vampire or werewolf actually act like monsters instead of heartthrobs.

Looking back on this review I realize the things I am saying could be considered being “picky” I think it comes from the fact that I wanted to like this movie as much as I liked the previous ones and while the action didn’t disappoint me at all I just really wish they had given the movie a chance with a longer runtime.

For anyone sitting on the fence about this one, I say if you go into it looking for a kick-ass action movie or as a longtime fan of the series you’ll probably like it enough.  For everyone else though the cost of movies these days and the fact that it’s so short (and feels short) really makes it hard to justify. Maybe the DVD will have all the extended scenes the film sorely needs.