Archive for horror

Childhood Scares (Scott’s Horror Corner)

Posted in Scott's Horror Corner, Updates with tags , on December 13, 2012 by splatterpictures

It’s been said that I have a better than average knowledge of horror movies from certain people who run this website. If that is the case, it is expressly because I grew up with weird friends and seemed to have some fascination with being terrified as a child. My perusing of the horror movies at the grocery story has given me a strange reference point to horror movies that are a bit more rare, like Chopping Mall and Slumber Party Massacre. Not that I’ve ever SEEN these movies, mind you, their images and synopsis merely line the back of my skull. Somehow through, or perhaps because of, a healthy terror, I have made it this far in my life. Though I haven’t seen all those VHS tapes from Buehler’s Buy Low that I stared at, I still somehow watched a lot of horror growing up. I had friends who thought that horror was great, and the powers of peer pressure assured I was to have seen and had every Nightmare on Elm Street.

 

With that in mind, I present to you, the terror of the constantly terrified. A look at what did the most damage to me as a child and gave me unreasonable fears into adulthood.

 

I mentioned Nightmare on Elm Street before and it is probably the most prominent movie to scare me. I had a friend who loved it and somehow this became “both kids love it”. I mean, I thought it was pretty cool, but my idea of a good viewing was in the middle of a crowded city at noon, maybe projected onto a building. But no, instead he would run up to me and show me stuff like this.

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The back of that Dream Warriors VHS was my first run-in with Kreuger and would sadly not be my last in adolescence. I never even saw the movie until I was much older and could reach the light switch on my own, thankfully, but I had an irrational fear of dream snake-men from ages 7-9. I still won’t pet them.

 

That was the first, but not last time a box cover haunted me. I’ve had some assurance that I wasn’t the only one disturbed by this next picture so apologies if this brings back bad memories. As noted, my local grocery store had a lot of fringe horror movies sitting out. Not all were outwardly scary, many were unassuming and just had your standard scary font or something. And then others were Ghoulies.

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Need I explain what’s terrifying about a monster coming out of the toilet when you’re 7?! If you’re curious about the plot, there’s an excellent review elsewhere on this site with details about directors and so on, from me you just get A GREEN MONSTER COMING OUT OF THE HOPPER! Going to the bathroom is a pretty terrifying experience as a kid on its own, without the worry of monsters in the plumbing.

 

The final reason why I have social problems is a movie called the Video Dead. I did not even know the name of this film until recently. It existed only as the most horrifying Thanksgiving ever. Thanks to the internet classifying everything, including stuff like, ‘what’s that movie with this part in it?’ I became more educated. Back to Thanksgiving, though. As it wound down, everyone had gone outside or downstairs, everywhere but where I was which was the dining room. Adjacent was the living room , where the tv was left on. I was playing with trucks or breaking something I imagine, and then I hear the ominous horror chords that accompany many an 80’s movie kill. So I wander to the living room because I’m stupid. The lights are out and as I peak in I see this:

 

 

 

I handled it pretty well for 5 seconds, except that my aunt has her laundry room right beside her living room. I spent the rest of Thanksgiving avoiding anything that could conceal a zombie, which made getting into the car fun on the way home. Anyway, I’m guessing this is why I haven’t gotten married yet.

 

I hope you enjoyed reading about my scarred childhood, feel free to share any illogical horror-related phobias in the comments section!

Monster (Scott’s Horror Corner!)

Posted in Scott's Horror Corner, Updates with tags , , on December 5, 2012 by splatterpictures

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I feel like I’ve got a nice pattern going, do a review, give a recommendation. So I thought I’d take a look at something else near and dear to my heart. There have been anime recommendations in this blog before, and I definitely think there’s some crossover between the horror fans and anime fans. Wes reviewed the show Another and so I thought I would throw another hat in the anime horror ring with the show Monster.

 

Monster is an anime about, well, a monster. Dr. Tenma is a brilliant surgeon in Germany, just married to a wealthy wife. It becomes apparent quickly that the corruption of the hospital he is working at runs deep. As he preps for surgery on a Turkish man, he’s pulled just before to instead go work on a famous opera singer. The impoverished Turkish man dies, while the opera singer’s recovery is well documented on tv and in the papers. Tenma becomes very torn between the idea of acquiring wealth and status and doing what is right.

 

Over the course of the first two episodes Monster completes this parable by introducing a small family, a mother and father who adopted twins (brother and sister) and moved to Germany. Tenma is called in in the middle of the night as the family is massacred by an unknown assailant, the sister is alive but in shock, the brother has a bullet in his head. As he’s washing up to work on the young boy he’s again told to work on an important patient; the Mayor will be arriving shortly by helicopter and they want Tenma working on him. Not wanting to make another mistake, he works on the young boy and saves his life. Of course, doing the right thing doesn’t always work out the best for everyone.

 

As he sits beside the young boy, Johan, who is still in a coma, he talks about his situation. He no longer has the flourishing future he was promised after disobeying his superiors (and in effect letting the Mayor die) and his wife also wants nothing to do with him now. “They’d all be better off dead!” He says before calming down and leaving. The young girl seems terrified of Johan as she’s brought in for a photo op, she faints in terror. That night, two of Tenma’s superior’s were shot, one poisoned.

 

From there, Tenma realizes that he made the wrong choice. What he did out of compassion actually brought about something much more evil than he could’ve imagined. I suppose this review has a lot in common with my write up with Dr. Loomis, as Tenma gives off some of those same vibes. Tenma’s case is a bit more literal as he’s the only reason Johan is walking around still. It becomes his only duty to stop Johan, a task easier said than done. The show is a real page turner, or I guess now it might be called a mouse clicker. In fact, when I finished the show I watched the last 20 episodes consecutively; I wasn’t even in college at the time! It’s full of deep characters, (Inspector Runge for example who shows up in episode 3) plot twists and really just great storytelling.

 

If I had to find faults with it, I would say that the length of the series leaves it meandering at times. I think you could tighten up the show and still have it be just as good. That said, it stays true to the manga it comes from, but obviously there are episode number requirements for tv and it stretches itself a bit thin because of it. Another fault, and this one falls on distributors, is that it’s still not available in North America beyond episode 15. Viz Entertainment released a box set of the first 15 episodes and then promptly decided to just can the rest. It is apparently available online from retailers, but it would be nice to have a definitive box set for all 74 episodes.

 

If you have any passing interest in suspense/thriller/horror as an animated genre then watch this. I would say this is the apex of the genre(s) thus far. It’s not the goriest thing I’ve seen by a long shot, but it remains the creepiest anime I’ve watched. In fact, one of the central points of the anime is this book about a ‘monster’ which has a cameo in the end credits and it never failed to get under my skin paired with the haunting end theme. Monster is still near the very top of my best anime list (if I had such a thing). You really need to watch it.

 

Sinister (Review time!)

Posted in Updates with tags , , , , , on October 13, 2012 by splatterpictures

I remember first watching the trailer for the new Film Sinister a few months back and I joked about how it seemed similar in title and theme as 2011’s horror hit Insidious. We got demons we got ghost children, we got moving to a house and the titles are nearly identical. Now that I’ve finally watched Sinister I can safely say that they are indeed different films.

Sinister is directed by Scott Derrickson who’s no stranger to the genre having dipped his pen and sat in the director’s chair for a couple of horror films already. Starring in the movie is Ethan Hawke who’s had a lengthy and critically acclaimed career already.

Hawke plays a true crime writer Ellison Oswalt. Ellison experienced a major hit 10 years ago when he wrote a book called Kentucky Blood. The fame afforded him money, countless interviews; the story was made all the more remarkable because in that case he stumbled upon something the police had missed. Sadly all things come to an end and with two failed books behind him Ellison is desperate for one more hit so he can have financial and personal stability. He brings his family to a house in a small town where a grizzly murder occurred in which a family was hung to death from a tree. (We’re treated to said hanging in glorious 8mm at the beginning of the film).

At this point in the story we watch as Ellison’s wife Tracy (Juliet Rylance) and two young children basically adjust to having their lives uprooted again. Tracy is probably the least likable character. I get that she was supposed to be tired of the true crime business and didn’t want her husband writing another – especially since his books tend to make him notorious among the local police community- but she was flipping out about everything. Nag nag nag…anyways.

The scares happen when Ellison discovers a strange box of old 8mm film and projector in the attic. He watches them and quickly realizes they are home movies that always end with a family’s death. The families seem to have no relation other than; everyone is killed except for one child who goes missing. At this point the film plays out a lot like a totally different kind of horror where somebody is tracking down what seems to be a serial killer.

“I notice you, noticing me”

With every new bit of evidence Ellison discovers he becomes more and more obsessed with how these killings are connected; strange demonic symbols and person referred to as “Mr. Boogie” that is in a few frames of every killing dating back to the 1960’s. Ellison learns through a convenient connection through a local cop that these symbols are of Bagul: the eater of children. He lives in the images and once you’ve seen them it’s already too late. Ellison has to uncover the mystery of Bagul and the murders but the creeping dread that surrounds him is getting worse every day and the real question is he able to hold on to his sanity and forget his desire for literary fame long enough to save his family?

This film has a lot going for it in terms of premise and style. I liked the use of the 8mm film in a lot of places because it gives a gritty and raw feel to an otherwise slick Hollywood production. A lot of the film also hinges on Ethan Hawke’s performance while watching the grotesque images on the film which he does admirably.

The scares come frequently but people who are not fans of cheap-shot jumps will probably become frustrated as the film relies heavily on “loud noises” to create the startling effects. The most disturbing scenes come from the films themselves which are silent and the audience only has the rhythmic flicker of the tapes to accompany the grizzly murders and in this sense there is nothing supernatural about it.

An amazingly effective scene has Ethan Hawke slowly walking his house with a baseball bat while creepy ghost children keep rather skilfully out of his peripheral is in my opinion the highlight of the film.

The film falls short in several key areas. I felt a lot of the scares were predictable in that nothing really startled me at all. Also, like my complaints with another recent film The Possession” It felt all too familiar in certain key areas. Demon, obsession, angry police, occult expert shows up, inner family turmoil and things of that ilk.

Another thing I thought could have been done better was the overall look of Bagul. He looked like some Slipknot reject and while scenes with him actually in it are few I was waiting for him to just bust out a face melting guitar solo.

Sinister overall gets a passing grade from me. Even though the film has its fair share of clichés- It’s a solid movie to help you enjoy your Halloween season with. It cleverly does a balancing act between a true crime horror and a haunted house movie with a little dash of Asian horror.  Hawke’s performance as I mentioned is excellent and I felt sympathetic to him in the end. (spoiler alert) no happy endings here which is something that always gets extra points from me.

 

 

 

Antiviral (It’s weird man)

Posted in Updates with tags , , , on October 12, 2012 by splatterpictures

Classifying horror can be a task unto itself but connoisseurs of the genre will always be compelled to do so. We as a people love to name things and then group similar things together. It’s just an easier way of living. This compulsion is why we have genres and sub-genres and sub-sub genres. I could go on adding subs but I’m making myself hungry. While eating said foot-long sandwich I would be brought to giddy laughter watching a group of horror buffs try and categorize Antiviral beyond anything other than “A Cronenberg” Brandon Cronenberg that is.

Antiviral marks the directorial debut of the offspring of the acclaimed master of fucking weird; David Cronenberg. I came in to this film extremely curious as to what kind of director Brandon would be. Would he reject the types of films his father made and find his own style or would he embrace his heritage and try to “out-weird” the old man? It’s safe to say after watching it that it’s the latter.

Antiviral stars Caleb Landry Jones as Syd March. You will probably know him best playing a young Banshee in X-Men: First class. Here his acting chops are put to the test as he plays Mister March who works for a company which in this not too distant future or perhaps even an alternate reality (not too sure) harvests celebrity illnesses and injects them in to paying customers. Celebrity infatuation has reached some truly twisted heights. How twisted you ask? Well let’s just say that a strange kind of cannibalism is putting it lightly.

Syd is something of a double agents. In his day to day he is a productive member of the corporate team that sells celebrity illness with gusto. The real money of course is in the black market stuff and he uses his access to the viral stock to infect himself and effectively “steal” the diseases in order to re-sell them on the secondary market.

One such celebrity client is Hannah Geist (Sarah Gadon) who is not only one of the worlds most sought after celebrities but also the exclusive partner for Syd’s company. On a routine sampling Syd injects himself with far more than he bargained for. A deadly manufactured viral agent that slowly and painfully kills its host. Syd must find a cure to save his life but to do that he must first discover who made the virus and why.

I was aware of the films premise well beforehand having heard a lot about it from the horror community. I had the slight expectation that I was about the be bludgeoned in the head with the concept that if we don’t change our celebrity obsessed culture this is the world we have to look forward to. While, I welcome social commentary in my movie watching experience I find that all too often the exaggerated take on a current trend in the world is in fact the only thing these movies have going for them. I’m happy to say that there is so much more going on here on top of the commentary.

This is a brilliant and well crafted story that touches on more than mob mentality when it comes to celebrities and touches on what fame is. It proposes how we ourselves can use celebrities to replace the emptiness in our lives like a new religion because it’s more tangible.

Anyone squeamish around blood or needles should probably stay at home. Not only are the injection shots graphic and numerous. They’re also real. The brief moments of gore are well worth it and nothing is without purpose. The real triumph here is with Caleb Landry Jones’ performance. Had a lesser actor been put in his place there is no doubt in my mind this film would have not had half the impact. That isn’t to say there isn’t a wonderful cast surrounding him, especially with the added boon of Malcolm McDowell.

For his first film coming out the gate Brandon Cronenberg has a lot to be proud of. It would be easy to throw away his involvement in the film industry as nothing but nepotism but at the end of the day. You still have your name on a movie that you wrote and directed that will cause you to sink or swim.  This is a thoughtful, brilliant, and downright messed up original work that like his father’s films before him is almost unclassifiable. Except if you’re going with the aforementioned “Cronenberg”.